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Anne heche shower scene

Two differences in the version of "Psycho": It's in color and, of course, it has a new cast. A spokesman says the report of their departure isn't true. Heche says it's not sacrilegious to remake "Psycho," as some hard-core Hitchcock fans have claimed. But when director Van Sant was offered the opportunity to remake an old film from the Universal library, he picked "Psycho," a personal favorite. Gus is saying, 'Not only am I not going to make it different, I'm going to honor you every step of the way. And with similar respect, Heche has recreated one of Hitchcock's most memorable characters, Marion Crane. And this guy comes in once every couple of weeks and has sex with her in a motel room. But due to inflation, it was one of the few changes made to update the script. I mean, what is she thinking? On the set of "Psycho," at Universal Studios, a simple television monitor was probably the most important tool, next to the camera.
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Anne Heche honored to play 'kook' in 'Psycho'

Why would anyone want to approach that horror classic, the godfather of slasher films? How would anyone approach it - especially when one got to the shower scene? Van Sant, an expert craftsman whose previous films include "Good Will Hunting" and "Drugstore Cowboy," has opted to recreate much of the original film shot by shot, except in color with different actors: Vince Vaughn replacing Anthony Perkins as Norman Bates and Anne Heche in Janet Leigh 's role. The director has said he is working in the tradition of appropriated art, as Andy Warhol did with his Campbell's Soup cans. Still, the "Psycho" shower murder may be cinema's most famous 45 seconds, at least in terms of how it was filmed. Hitchcock used a dizzying array of quick cuts to evoke the grisly killing without ever showing the knife entering the skin. Van Sant has indicated his shower scene will be more graphic than Hitchcock could get away with in We'll see when the new version opens Dec. Meanwhile, we wondered how other directors would approach this seemingly untouchable scene. To many of them, the idea of remaking "Psycho" is almost blasphemous, and more than a few refused to give any answer.
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There was a time when no one could enter a theater playing "Psycho" after the film had started. Today's audiences can traipse freely, and at the theater I attended somebody even made a loud cellular phone call just as the rest of us were bracing ourselves for the shower scene. It turns out the apparent rocks in Van Sant's head are mere pebbles. If he isn't Hitchcock, neither is he crazy. His film is an artful, good-looking remake a modest term, but it beats plagiarism that shrewdly revitalizes the aspects of the real "Psycho" that it follows most faithfully but seldom diverges seriously or successfully from one of the cinema's most brilliant blueprints. Those of us not quite ready to write off the first film will gain little from learning that Norman keeps porn magazines and toy soldiers in his once off-limits childhood bedroom. If the filmmaker is right in supposing that "Psycho" is most widely remembered as that scary shower movie, here's a brief reminder. A secretary named Marion Crane originally Janet Leigh has a lover who won't marry her for financial reasons. So she absconds with a pile of cash that has literally landed in her lap. Eager to hide, Marion checks into a remote motel and winds up having a powerfully disturbing effect on the proprietor.
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Why would anyone want to approach that horror classic, the godfather of slasher films? How would anyone approach it - especially when one got to the shower scene? Van Sant, an expert craftsman whose previous films include "Good Will Hunting" and "Drugstore Cowboy," has opted to recreate much of the original film shot by shot, except in color with different actors: Vince Vaughn replacing Anthony Perkins as Norman Bates and Anne Heche in Janet Leigh 's role.

The director has said he is working in the tradition of appropriated art, as Andy Warhol did with his Campbell's Soup cans. Still, the "Psycho" shower murder may be cinema's most famous 45 seconds, at least in terms of how it was filmed. Hitchcock used a dizzying array of quick cuts to evoke the grisly killing without ever showing the knife entering the skin. Van Sant has indicated his shower scene will be more graphic than Hitchcock could get away with in We'll see when the new version opens Dec.

Meanwhile, we wondered how other directors would approach this seemingly untouchable scene. To many of them, the idea of remaking "Psycho" is almost blasphemous, and more than a few refused to give any answer. One A-list director's assistant said the director was just "too focused" on preproduction of his new movie to offer any response. One shot outside the bathroom through a crack in the door. That would be the only way to surprise anyone. It's like a verse of Shakespeare. If you try to redo it in a very serious and thrilling way, I would be scared.

I'd just cut the scene. No shower. Andrew Niccol "Gattaca," writer of "The Truman Show" : "Of course the genius of it is that you see very little harm come to her, and most of it is cutaways to shadows or other images. You never see the blade hitting skin. I would probably go even further and not even go into the bathroom. You would hear everything from behind the door.

It would be a very cheap scene. Todd Haynes "Velvet Goldmine," "Safe" : "I would probably want to do it from outside the curtain or something. You'd have to go in such a different direction to be interesting that I wouldn't want to see it in thousands of cuts. Maybe it would be a sustained shot from outside the room that would be slowly tracking into the door, and you would hear the sounds and you'd see a little bit of it. The limitations on nudity are much less now, so I probably would look for some different angles and take it from above so we would be looking down on her and seeing the shadow on the other side of the curtain, seeing her being the recipient of what is happening.

But I don't think I could ever get away from the image of the blood going down the drain because it has lived with me ever since. It's hard to improve on brilliance. George Tillman Jr. Some things are better left just the way they were done.

Janet Leigh the original "Psycho" shower victim : "I have no idea. I have no idea. I don't know. I really don't know. In a derisive tone I guess because you can today, I guess you'd have her being nude and show the knife going in and the blood coming out. I see no reason to reshoot the shower scene. I don't see the point. I never would. I wouldn't remake a picture unless I thought I could improve upon it, and I don't really think I could. It's a very useful exercise for an artist to copy a master painting.

To have somebody fund you to do that, I'm sure that will help Van Sant's technique. But then to sell tickets to it, it's like selling the painting. What is it? It's a copy. I think if you went back and looked at it frame for frame, it's not explicitly graphic violence.

It's more about fear, and fear is something that the audience feels instead of sees. Today's filmmakers want to show you everything, want to show you the special effects they can do with blood and gore, and I'm afraid that's what might happen with someone remaking it.

I would just like to see someone do it closer to the original, which was all about implication. I think that Gus Van Sant is a very, very talented filmmaker. I have a great respect for much of his work, so I'm very curious to see his movie, but I'm not sure that I would have the gumption to tackle it. I wouldn't do it because I know whatever I do is not going to be as good or as interesting or as compelling as what is now so iconic and vetted in that collective imagination, so to speak.

Many other movie scenes also would be unthinkable for directors to revisit because of how cleverly they were filmed as opposed to the performances or dramatic payoffs. Here are 10 scenes we'd deem untouchable:. The Extra-Terrestrial. What are your unimprovables?

Michigan, Chicago Or e-mail to ctc-arts tribune. Include your name, address and phone number. Kasi Lemmons "Eve's Bayou" : "I couldn't even improve upon the original.



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